Music supervision and clearance was done by Christopher Southward. Дespite the game having numerous references to Elvis Presley, developer Jason Bergman revealed on the Bethesda forums that operation rights to any of Elvis' songs would be too plush. Дeveloper Joshua Sawyer contrasted the music option of Fallout 3 as having a 'goofy upbeatness' of the '30s and '40s, while New Vegas focused the crooner-style Rat-Pack-tardily '50s, equally well as bluegrass and land music from the '40s to the '50s. Sound director Scott Lawlor was responsible for the inclusion of the ambience tracks by Mark Morgan from Fallout and Fallout 2. In addition to fourscore minutes of new score, Bethesda and Obsidian got the rights to integrate the previous scores from earlier Fallout games. Regarding the period tracks: 'the score for New Vegas is basically portraying more of the psychological place that we want the player to be and the songs are giving them more than of the adventure of the era.' The result is 'quite a twangy, a piffling Western, but a very twisted western sound.' In comparison to Fallout 3, Fallout: New Vegas went for a smaller scale using sound design synthesizers, The Lyris Quartet providing the strings and a few guitars. Inon Zur reprised his part for composing the orchestral score.

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